Today–continuing on the topic of content edits in fiction–I want to talk about subplots. About balance between subplots. It’s SOOO hard to do. It’s hard because each subplot has its own tone, mood, and theme. Each also has its own pacing.
Ideally these tones, moods, and themes, as well as pacing, will differ somewhat from the major plot arc and from each other. After all, variety is a large part of what makes a novel readable.
Each subplot brings a different focus and different approach that ideally blend in with the rest of the work without diluting it.
Perhaps “blend” gives the wrong image, though.
You don’t want a smoothie of a novel…. A good smoothie has no variety. It’s uniform throughout. While you want uniform quality, that’s different.
The fact is, good novels blend by striation. A good novel is a trifle.
You want a TRIFLE of a…
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